The best Star Wars movies are those that recall the glory days of yesteryear before computerized special effects. The plot and situations are outrageous; yet, there is a good spirit that motivates the entertainment value of the franchise. There are some thrilling moments of danger, but the loudest crowd reactions featured the budding relationship between Han Solo (Alden Ehrenreich) and his future co-pilot, Chewbacca (Joonas Suotamo), a 7 ft. Wookie from the Planet Kashyyyk.
Before the title character and Chewbacca meet, we witness Young Han and his girlfriend Kira (Emilia Clarke). The two run street scams, but seek a better life full of adventure and romance. In an attempt to leave the planet, Han and Kira are separated. While Kira’s fate becomes a mystery, Han becomes a soldier in the Emperor Army.
Not one to blindly follow orders, Han becomes a rebel and joins a band of mercenaries headed by Tobias Beckett (Woody Harrelson). Through a series of mishaps, Han demonstrates aviation skills and the ability to problem solve. As he climbs the hierarchy of a criminal empire, Han travels the far reaches of the galaxy in search of fortune and glory.
Solo: A Star Wars Story works. The film opens in film noir darkness and, through science fiction narrative, becomes a cowboy movie featuring wide open spaces and a good old-fashion showdown. Musical Composer John Powell does a commendable job keeping the audience energy in light speed and appropriately repeats the music from John Williams classic Star Wars rousing score.
Like Avengers: Infinity Wars, Solo: A Star Wars Story should be seen on the big screen with a movie theater that honors audience participation.
The film will be playing at the Ft. Lauderdale Museum of Discovery & Science (MODS) until June 13, when it will be replaced by Incredibles 2.