CinemaDave (cinemadave) wrote,
CinemaDave
cinemadave

"The Hateful Eight" misses it's Django.

With much hype and Oscar hyperbole, Quentin Tarantino’s The Hateful Eight will be leaving the big screen soon. Despite three Oscar nominations for cinematography, musical score (by Ennio Morricone) and best supporting actress (Jennifer Jason Leigh), The Hateful Eight is Tarantino’s first financial flop and will likely secure his place in the Academy of the Overrated.

The first third of the film features the vast, wide open spaces that celebrate the best that the American Western has to offer. After introducing four of the Hateful Eight on the stagecoach, the film makes a pit stop at Minnie’s Haberdashery. The rest of the film becomes more claustrophobic and the tone shifts from an adventuresome Western to that of an Agatha Christie parlor mystery. With this claustrophobic scenery shift, why bother seeing The Hateful Eight on the big screen? Its running time feels longer than the Arizona Cardinals/Carolina Panther’s playoff game.

With long-winded conversations, explosive violence and repetitive motifs, the quirky Tarantino has reached the law of diminishing returns with this motion picture.
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