October 21st, 2016

Cinema Dave  Swashbuckling ournalist and

"Once in a Lifetime" - A personal film about a society forgetting something important.

It has been 21 years since I produced A Tribute to the Men and Women of the World War II Generation with 133 6th graders at Loggers’ Run Community Middle School. The presentation featured big band numbers, a chorus inspired by the Andrew Sisters and testimonials that induced a few tears from some very hardened middle-aged teachers and 12-year-olds. I’m proud of this program and the fact that some of my former students have remained in touch with me via Facebook. A French film with English subtitles, Once in a Lifetime took me back to my experiences from two decades ago.

Based on a true story and filmed at the actual high school where the movie was originally filmed, Once in a Lifetime introduces us to Anne Gueguen (Ariane Ascaride), a history teacher. Talking to her diverse student body, Ms. Gueguen informs her jaded students that she is entering them into a contest. The subject is the Holocaust and students balk about learning “ancient history.”

Co-written by Ahmed Dramé (who portrays one of the students), the French high school looks and sounds like an American classroom. There is multiple rivalry between the diverse cultures that create tension. Gueguen allows her students their moments to speak, but she carefully crafts their arguments into understanding. Once the boundaries of mutual respect are established, Gueguen brings in a guest speaker, Léon Zyguel, a Holocaust survivor.

In an age when educational socialization is emphasizing pressing the buttons on the latest technology (that may be obsolete in five years), Once in a Lifetime is a reminder of the importance of classroom debate and discussion. This is a riveting motion picture for nearly two hours.
Cinema Dave  Swashbuckling ournalist and

"The Girl on the Train" derails at the climax

I mentioned Haley Bennett’s earthy performance in The Magnificent Seven. Proving to be a chameleon, the actress portrays an opposite role as Megan in The Girl on the Train, based on the best-selling novel by Paula Hawkins.

Emily Blunt portrays Rachel as the girl in The Girl on the Train. She is an alcoholic who suffers from blackouts. As she commutes to the city via railroad, she spies a suburban couple living Rachel’s ideal life. With a pang of jealousy, Rachel finds relief in drinking vodka from her water bottle.

The Girl on the Train is an interesting thriller until it reaches its climax, which stumbles into unintentional humor. However, this film will be remembered for Blunt’s vulnerable performance, which has received some Oscar buzz.
Cinema Dave  Swashbuckling ournalist and

"7" is better than "8"

When The Hateful Eight was released last year, one hoped for a revival for the wide open spaces of the Western genre. Instead, we were given a claustrophobic drama with eight people screaming tedious Quentin Tarantino dialogue at each other.

Whereas the story of The Hateful Eight was weak, the story of The Magnificent Seven is as strong as ever. The current version of The Magnificent Seven is the second interpretation of Akira Kurosawa’s Seven Samurai, the Japanese movie that inspired the American Western starring Yul Brynner, Eli Wallach and Steve McQueen.

The 1960 American version features a classic musical score composed by Elmer Bernstein. The late James Horner and Simon Franglen composed current version of The Magnificent Seven theme song, which features a few notes from Ennio Morricone’s spaghetti westerns. These aural elements enhance the viewing experience on the big screen.

All three movies share a similar narrative, but all three movies provide a fresh perspective of seven gunfighters who unite for a common principle. This current version of The Magnificent Seven opens with a town hall meeting inside a church. Robber Baron Bart Boque (Peter Sarsgaard) tells the community to get off of his land. The community rebels and Bogue’s henchmen kill the townfolk, making Emma Cullen (Haley Bennett) a widow.

Seeking justice, Mrs. Cullen rides into a neighboring town and catches the eye of Chisolm (Denzel Washington), a certified bounty hunter. Hearing Mrs. Cullen’s story and being offered a modest stipend, Chisolm starts recruiting fellow gunfighters to defend the town.

Gambler and amateur magician Josh Faraday (Chris Pratt) is the first recruit. Chilsom reunites with an old friend, Goodnight (Ethan Hawke) who brings along a new partner, Billy Rocks (Byung-hun Lee), a knife-wielding prodigy. While on the trail, Jack Horne (Vincent D’Onofrio), Vasquez (Manuel Garcia Rulfo) and Red Harvest (Martin Sensmeier) join the merry band and become The Magnificent Seven.

Full of great one-liners and cowboy proverbs, The Magnificent Seven deserves a better fate at the box office. Director Antoine Fuqua (Training Day, Tears of the Sun) knows how to direct action movies with human empathy. This film touches everybody’s nobler motive.
Cinema Dave  Swashbuckling ournalist and

"Silver Skies" was the CenterPiece of FLiFF 31


While the stalwart George Hamilton is not expected to attend this year’s festival, his film from last year’s FLiFF opens tomorrow, Silver Skies. This film is an ensemble comedy about seasoned citizens who are facing the foreclosure of their rental community.

Hamilton portrays Phil, an Alzheimer patient who thinks he is Dean Martin sometimes. Phil’s roommate, Nick (Jack McGee) sells programs at the racetrack. Each morning, they share breakfast with Eve (Barbara Bain) and Mickey (Jack Betts) who often gossip about the reclusive Harriet (Mariette Hartley), especially when a young, well dressed, black man visits her apartment three times a week.

While the foreclosure is the serious narrative, Silver Skies features comedic behavior from the main protagonists. There are also neighborhood romances featuring the [hussy] next door, Ethel (Valerie Perrine) and a recent widower, Frank (Alex Rocco), which is actually quite touching.

Not all of Silver Skies works. There is a scene involving sexual assault that is too graphic for the tone of this movie. However, the scene does set up a Bill Clinton/Monica Lewinsky joke that redeems it.
Cinema Dave  Swashbuckling ournalist and

"Come What May" is a light title for a heavy movie.

Come What May opens tomorrow in local cinema. This serious film presented in multiple languages about 1940 European refugees seems very timely given current affairs regarding immigration. It is not a political film. It is the story about individuals coping with a homeland that has gone mad.

As the Nazis overrun France, a local mayor leads his citizens into the country. The villagers take with them a German child whose father (August Diehl) opposed the Nazi regime and has been jailed for lying about his nationality. The father escapes jail to search for his son, accompanied by a Scottish soldier (Matthew Rhys), who is trying to get back to England.

Lacking the budget of a major studio, Come What May still provides some riveting action sequences. One sequence features a Nazi airplane shooting at a young boy in a moving automobile. As the machine gun misses its target, you can see collateral damage — a home destroyed, an automobile and a bruising example of the fog of war. The final result, however, is that Come What May is a life-affirming movie.
Cinema Dave  Swashbuckling ournalist and

"Max Rose" allows Jerry Lewis to fade away...

As a child, I used to bust a gut laughing at Jerry Lewis movies, and, in particular, the climatic scenes in Who’s Minding the Store and The Disorderly Orderly. One Labor Day weekend, I discovered his telethon for muscular dystrophy. I was impressed that this funny guy could raise millions of dollars for such a serious cause. I always wanted to do something like that when I grew up.

As I entered high school, the Jerry Lewis MDA Telethon began to age and eventually became an unintentional parody of itself. This was something Martin Scorsese sensed as he cast Jerry Lewis against type in The King of Comedy, starring Robert DeNiro. While he will always be associated with comedy, Jerry Lewis revealed a dark soul as Richard Belzer’s uncle on the television program, Law & Order: Special Victims Unit.

Max Rose is cumulative swan song to Jerry Lewis’s film career. The film opens with a sense of nostalgia. As the credits roll, we see young Max (Lewis) and his wife Eva (Claire Bloom) through pictures and photographs. The film loses and regains focus as we watch Max learn that he is now a widow and he signs off on his spouse’s last medical forms. He returns home with his granddaughter, Annie Rose (Kerry Bishe) to contemplate the silence of loneliness.

“Our marriage was a lie and I failed myself,” Max says at his wife’s funeral, shocking those in attendance, including his estranged son, Chris (Kevin Pollak).

The source of Max’s consternation revolves around a locket he found in Eva’s personal items, dated on a special day in 1959. All Max remembers about that day was that he was out of town recording a Jazz album that made him a “one hit wonder.”

As a narrative, Max Rose does plod along. Some scenes could have been shortened and the abrupt use of flashbacks did become confusing at first. However, there is a life-affirming resolution that does pay off.

Due to the actor’s physical limitations, most of Jerry Lewis’ performance is told through the lines on his face. From heartache to contempt, to childlike joy, Lewis delivers a haunting performance. The script allows him to reprise one of his most memorable comic moments.

While staying at an assisted-living center, Lewis, Mort Sahl, Rance Howard and Lee Weaver listen to Jazz music and improvise playing instruments. The scene is infectious with its warmth and humor and is a fine scene that fits into his film persona.
Cinema Dave  Swashbuckling ournalist and

"The People vs. Fritz Bauer" - in pursuit of the Nazi Burreaucrat

The People vs. Fritz Bauer is a slice of history from the 1950s. The film details German Jewish concentration camp survivor Fritz Bauer’s (Burghart Klaußner) in pursuit of Arch-Nazi bureaucrat Adolph Eichman (Michael Schenk). Despite his moral justification, Bauer is vexed by his German colleagues and meddling supervisors. Bauer pursues another course of action with the Israel Secret Service organization, Mossad.

Spoken in German with English subtitles, The People vs. Fritz Bauer is a backstage drama about a thrilling subject. We witness a happy domestic life in Argentina as Eichmann assumes another identity of a respective neighbor. Bauer and his agents are in hot pursuit, but closeted secrets nearly derail bringing in this undercover Nazi. The People vs. Fritz Bauer opens tomorrow.
Cinema Dave  Swashbuckling ournalist and

Clint Eastwood + Tom Hanks = "Sully"

On a far more happier historical subject, Sully opened with stellar box office numbers. Directed by Clint Eastwood and starring Tom Hanks in the title role, Sully is an action-packed thriller. Given that many of us know the ending of the story, it is a miracle that this film holds an audience in suspense. Then again, this film should not have been titled Sully, but Miracle on the Hudson.

Sully opens with the title character and his copilot, Jeff Skiles (Aaron Eckhart) being investigated for landing a jet airliner in the Hudson River. Research and computer simulation makes the claim that the jet had enough fuel to return to LaGuardia Airport 30 seconds after landing. Given his 40+ years of flight experience, Sully insists that landing in the Hudson River saved 150 lives and that the computer projections are wrong.

The central conflict of Sully is man vs. machine. The special effects enhance this theme as we witness the plane landing on the Hudson from three different perspectives. Yet, it is the heroism of the New Yorkers that makes Sully such an enjoyable film. Given that this incident happened a mere eight years after the terrorist attacks of 9/11, Sully reveals the redemption of the American character. If the primadonna behavior of overpaid professional athletes is making you feel down, then go see the behavior of real Americans in Sully.
Cinema Dave  Swashbuckling ournalist and

"Kubo and the Two Strings" inspires this banjo picker

It sounds like a broken record, but superheroes and Walt Disney Studios dominated the summer box office. Despite negative mainstream reviews, Suicide Squad and Batman v. Superman Dawn of Justice did well at the box office, but did not rival Captain America: Civil War in both revenue and critical appeal. The 2016 box office crown goes to Disney/Pixar’s Finding Dory, an animated tale with both story and heart.

While losing money for their producers, Kubo and the Two Strings is stop motion (as opposed to computerized like Finding Dory) animation like the original King Kong and Rudolph the Red Nosed Reindeer. Lacking the narrative intensity of Finding Dory, Kubo and the Two Strings is a contemplative motion picture about life, the rites of passage and spirituality. Like a good piece of Asian Literature or an Akira Kurosawa movie, Kubo and the Two Strings places an emphasis upon colorful visualization and primitive symbolism. While Kubo is an archetypal protagonist, he is a character. Expect Kubo and the Two Strings to be an Oscar rival to Finding Dory next awards season.
Cinema Dave  Swashbuckling ournalist and

"Mia Madre" is a realistic depiction of work & grief

Mostly in Italian language with English subtitles, Mia Madre introduces us to Margherita, an independent filmmaker producing a movie about workers’ rights and entrepreneurship. As she waits for her leading man, Barry Huggins (John Turturro) to arrive from America, Margherita checks her phone for the latest news about her sick mother.

Despite seemingly improving, the mother is terminal. Margherita must balance the demands between work, raising a teenager who is not doing well in her studies and impending grief. The American actor also brings onto the set his own petty neurosis and linguistic confusion.

Despite playing the protagonist’s irritant, Turturro’s appearances are welcome comic relief. In a supporting role, Turturro is allowed a full range of negative behavior, but remains somewhat likeable. Margherita Buy earned her David di Donatella prize for a retrained emotional performance. The audience feels for Margherita and her dilemma, which pays off for Mia Madre’s final scene.
Cinema Dave  Swashbuckling ournalist and

"Life, Animated " is a fine documentary about Owen Suskind

Ripped from last year’s headlines, Life, Animated presents the story of Owen Suskind, an autistic, young man who learned to communicate with people by watching Disney animation. Using home movies, Owen’s parents discuss how the 3-year-old’s behavior changed overnight. Despite getting excellent medical attention and attending the best special needs schools in Washington D.C., Owen is sad and lonely. Feeling inspired, Owen’s father takes a puppet (Iago from Aladdin) and starts a conversation with Owen. A whole world opens up between Owen and his family.

While there is a great deal of joy in Life, Animated, there is also some harsh realities. Both parents are facing their own mortality and Owen breaks up with his only girlfriend.

These pains are universal, which is why these Disney animated movies like Aladdin, Bambi, Beauty and the Beast are magical motion pictures. If an autistic young man can find knowledge through Disney animated movies, perhaps we all should take a cue from Owen.
Cinema Dave  Swashbuckling ournalist and

Florence Foster Jenkins is a fine tragedy laced with humor

Five months ago I reviewed Marguerite, a French language motion picture about a music patron who believes she is an opera singer. She was not. This serio-comic film won numerous awards at several European film festivals and was based on the true story about an American patron of music. Florence Foster Jenkins is the American, as portrayed by Meryl Streep.

Set in high-brow Manhattan circa 1944, we observe scenes from The Verdi Club, a music appreciation society. The event is emceed by St. Clair Bayfield (Hugh Grant), who also breaks up the singing by reciting Shakespearean monologues. Florence is first seen as part of the visual scenery, and perk of being a benefactor for the arts.

Given her generous contributions, most people tell Florence what she wants to hear. When she announces that she wishes to sing, St. Clair makes arrangements for music lessons. To accompany Florence and her music teacher, St. Clair hires pianist Cosme’ McMoon (Simon Helberg), a young man who is serious about his craft. Although he is paid very well, Cosme’ feels conflicted about supporting Florence’s total lack of talent.

Although her supposed sycophants are snickering behind her back, Florence believes the flattery she receives. As the film progresses, we witness the web of deceit that grows to absurd levels. There is an old Broadway question that asks, “How do you get to Carnegie Hall?” The answer is “Practice, practice, practice.” With no talent but plenty of practice, Florence proves this Broadway adage.

Predictably, Streep absorbs the title role and gives a full performance. Like any Giuseppe Verdi opera, there is so much pain in this film, yet Streep shares the character’s salvation through music. Playing against type from his Big Bang Theory character, Simon Helberg gives a transformative performance of a mouse who becomes a man. Balancing the tightrope between love and being a cad, Hugh Grant provides his most interesting performance in 15 years.

With directorial credits including Dangerous Liaisons, Mrs. Henderson presents, Philomena and The Queen, Stephen Frears knows how to tell an interesting story about backstage life. It takes an experienced craftsman to tell an entertaining narrative with humor, while providing a sense of haute Manhattan culture.

As the children return to school this week, the motion picture industry will be releasing more serious fare. Florence Foster Jenkins won’t appeal to The Suicide Squad or Sausage Party ticket buyers, but this Meryl Streep/Stephen Frears film will be talked about during Oscar time.
Cinema Dave  Swashbuckling ournalist and

"Pete's Dragon" is this summer's underated Gem.

During Christmas break of my freshman year at Deerfield Beach High School, Jan Herma invited me to go see Pete’s Dragon at the Deerfield Beach Ultra Vision. This G-rated half-animated musical held no appeal for me, as a 14-year-old. I declined the invitation and I’ve always felt a sense of guilt about not going, so I made myself watch the DVD.

The original Pete’s Dragon featured top-billed Helen Reddy, whose song Candle on the Water was getting constant airplay on FM radio. Mickey Rooney, “Red” Buttons and Jim Dale (the future narrator for the Harry Potter audiobooks) attempted to upstage each other, but still took second fiddle to the animated dragon named Elliott. After many unmemorable musical numbers and stilted family sentimentality, the film finally ends.

The new Pete’s Dragon is a far superior motion picture. The emphasis is on story, character development and realistic visualization of a fantastic subject matter. The film opens with pre-school aged Pete learning how to read in the backseat of a car. After his mother and father proclaim Pete as a brave boy, the car crashes into the forest. After shedding a few tears, Pete encounters a dragon and names him Elliott, after a character in his easy reader.

Six years later, Jack (Wes Bentley) and Gavin (Karl Urban) are lumberjacks who notice unusual occurrences in the forest. The lumberjack brothers consult with Forest Ranger Grace Meacham, whose father (Robert Redford) tells folktales about the time he met a dragon. Myth becomes reality.

While there are echoes of Lassie Come Home, ET the Extraterrestrial and King Kong, Pete’s Dragon stands on its own modern achievement. There is a freshness to this motion picture that makes it unpredictable. There is message about the importance of conserving the environment; however, it is not heavy-handed.

Besides providing the opening and closing narration, Redford plays a character that echoes his best work, most notably The Horse Whisperer and Urban Cowboy. With a gift for gab and wood carving, Redford’s Meacham reminded me of my father.

Having battled dinosaurs as a corporate executive in Jurassic World, Bryce Dallas Howard plays a much more appealing role. Currently on the big screen as Dr. McCoy in Star Trek Beyond, Urban takes on the most villainous role, but he is really not much of a bad guy.

The box office for Pete’s Dragon has been disappointing. I hope word-of-mouth drives this motion picture to pick up. This is a pure family motion picture that is both sweet and simple. While there is no profanity and scenes that will embarrass grandparents, Pete’s Dragon is filled will plenty of action, adventure and good acoustic music.
Cinema Dave  Swashbuckling ournalist and

"Suicide Squad" is NO "War Wagon"

After screening Suicide Squad in the afternoon, I happened to catch an old favorite, The War Wagon with John Wayne and Kirk Douglas, who lead a team of renegades in this heist/Western hybrid. The War Wagon was a typical movie released (The Magnificent Seven, The Great Escape, The Dirty Dozen) at the time. It featured a disparate group of individuals who seek to solve a violent problem. There are many similarities between these 1960 classics and Suicide Squad.

Once king of motion picture box office comic book movies, DC Comics has taken second fiddle to Marvel Comics for the past decade. With the Spring release of Batman v. Superman: Dawn of Justice, DC is trying to follow Marvel’s lead by creating a series of movies based on their ensemble universe. Instead of focusing on the heroes of DC Comics, Suicide Squad focuses on the Rogue Gallery often found in the Arkham Asylum.

After the chaos caused by the Batman/Superman battle, Secret Security Administrator Amanda Waller (Viola Davis) recruits a gang of criminals to combat potential interstellar terrorists. These bad guys have individual skills and talents with one common denominator; they do not play well with others.

Deadshot (Will Smith) is a single father who is a paid assassin who can hit any target that he aims at. Boomerang (Jai Courtney) is an expert at throwing things and Killer Croc (Adewale Akinnuoye-Agbaje ) has a leathery skin condition and dines on raw flesh. Harley Quinn (Margot Robbie) is a circus pixie with a baseball bat. She was once a prominent psychiatrist who treated a patient that seduced her. Her patient was the notorious Joker (Jared Leto).

Anyway, something supernatural happens in a city. Waller presses a button and unleashes her Suicide Squad upon an ancient evil. There is a lot of shooting with automatic rifles, explosions and many special effects.

Much like Batman v. Superman: Dawn of Justice, Suicide Squad is an interesting movie until the action sequences begin. Even with 3-D glasses, one loses interest in the blurry visuals. Besides the character introductions in the beginning of the film, the best part of the film is a scene in the bar. This quiet scene is one in which these extreme characters share their twisted dreams of personal redemption.

This film will not be remembered as a classic like The War Wagon or The Dirty Dozen, yet Suicide Squad features some fine ensemble performances. Margot Robbie’s Harley Quinn steals the spotlight. With charming unpredictability, Quinn should get her own movie someday, minus the computer-enhanced special effects.
Cinema Dave  Swashbuckling ournalist and

"Star Trek Beyond" is a subtle surprise

For good old Saturday matinee popcorn-eating fun, Star Trek Beyond will fit your bill. While acknowledging the 50 year anniversary of the television show, this new Star Trek is a stand-alone movie about the Starship Enterprise’s fabled five year mission.

On day 966 (yes, this day is a significant “Easter egg”), the Enterprise crew is planning shore leave. The crew is suffering from boredom of routine. While Captain Kirk (Chris Pine) is seeking promotion, Spock (Zachary Quinto) and Uhura’s (Zoe Saldana) relationship has reached a standstill. When a distress call is heard, the Enterprise crew cancel shore leave.

Buckle your seat belts, because this adventure takes on a bumpy ride as the Enterprise is decimated by a new enemy named Krall (Idris Elba), a lizard-like villain with a deep hatred for Captain Kirk’s employer, the Federation. As the Enterprise crew faces disaster after disaster, the individuals unite to fight a powerful enemy.

Co-written by Simon Pegg (who plays Chief Engineer “Scotty”), this 12th big screen Star Trek is filled with humor and fantastic visual action, whether epic space battles, vicious fist fights or cliffhanging escapes. Star Trek Beyond will also be remembered for quiet scenes involving the stoic Spock grieving over a lost mentor.
Cinema Dave  Swashbuckling ournalist and

"Ghostbusters" ReMake


It has been a 27 year wait, but Ghostbusters finally appeared on the big screen full of big screen special effects. Despite the endorsement of the original cast-mates (Dan Aykroyd, Sigourney Weaver, Bill Murray, Annie Potts and Ernie Hudson) and mass marketing, the rebooted film failed to secure first place in its opening weekend, losing out to The Secret Life of Pets.

The reviews have been split evenly and decisively, with 50 percent (mostly female) feeling inspired by the film, while the other 50 percent (mostly male) feeling their childhood has been betrayed. It is true that the Ghostbusters reboot lacks the freshness of Aykroyd’s, and the late Harold Ramis’ vision; however, director and co-writer Paul Feig has created new characters that are both quirky and charming.

Professor Erin Gilbert (Kristen Wiig) is about to achieve tenure at Columbia University when an academic skeleton comes out of her past. Erin wrote a book about the paranormal with her old friend, Abby Yates (Melissa McCarthy), who now works at a low budget institute with techno-nerd Jillian Holtzmann (Kate McKinnon). After a series of mishaps involving vomiting ghosts, the three ladies form a unique business partnership.

As the paranormal activities increase, this new enterprise hires a beefcake secretary who can’t type (Chris Hemsworth) and Patty Tolan (Leslie Jones), a streetwise cabbie whose uncle (Ernie Hudson) owns a Hearst business. Together, these five individuals confront the cause of all evil in New York City.

The five main characters are the heart and the humor of the film. Kate McKinnon is the most committed to her role and often steals scenes by doing absolutely nothing. Chris Hemsworth is the most broad character. His dancing during the closing credits will keep Chippendale fans in the theater for the final frames.
Cinema Dave  Swashbuckling ournalist and

"The Secret Life of Pets" revisits the world of "Cats & Dogs"

Like Ghostbusters, The Secret Life of Pets is set in Manhattan. Told from the perspective of domesticated dogs and cats, the audience learns the untold adventures these animated creatures face during the daytime. This film has been the box office champion two weeks in a row. Combined with the much superior Finding Dory, animated talking animals have been the box office monarch for the Summer of 2016.
Cinema Dave  Swashbuckling ournalist and

"Hilary's America" is a logical reason NOT to Vote for her

Hillary’s America: The Secret History of the Democratic Party is D’Souzas’s look at the next chapter of American presidential history. After four years of increasing terrorist violence in America and abroad, we learn that D’Souza served jail time for making an illegal campaign contribution. While serving his sentence with murderers and thieves, D’Souza becomes more street smart and learns the rules of the con. D’Souza compares and contrasts the “street con” with the Democratic political machine and presents many similarities.

Like a good history teacher, D’Souza raises many questions. He asks why the Republican Party that was founded on an antislavery platform became perceived as the party of racist, rich, white men?

The first President of the Democratic Party was Andrew Jackson, slave owner. Abe Lincoln’s Republican Party opposed slavery. For almost a century, the Democratic Party opposed the civil rights of African American Individuals through the Jim Crow laws.

When the Civil Rights Act was created 52 years ago, it did so with a majority of Republican congressmen, though it was signed into law by President Lyndon Baines Johnson, a Democrat. This historical fact is downplayed in the recent HBO drama – All the Way starring Bryan Cranston as LBJ. From this point of American History, we learn that young Hillary Rodham was a “Goldwater Girl,” the presidential alternative to President Johnson’s reelection efforts in 1964.

Writing graduate papers about abortion-advocate Margaret Sanger and becoming streetwise thanks to the writings of Saul Alinsky, the story of Hillary Rodham-Clinton is simply told. Unfortunately, the simplicity of Hillary’s America mars the journalistic impact of the thesis. Though valid, the historical recreations featuring Ida B. Wells, President Woodrow Wilson, and Bill Clinton feel as broad as a Saturday Night Live skit.

Tonight Hillary Clinton accepts her nomination to be the first female President of the United States. Take the time to see Hillary’s America for an alternative point of view. Pay attention to the upcoming Presidential debates and then vote your conscience.