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"The Conjuring 2" is creating an interesting world of James Wan - CinemaDave

Jul. 8th, 2016 09:10 pm "The Conjuring 2" is creating an interesting world of James Wan

To the shock of many box office experts, the relatively low budgeted The Conjuring 2 was extremely successful last weekend. A worthy follow up to the original film, this sequel presents the further adventures of Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga), a paraprofessional married couple in league with the Roman Catholic Church.

After wrapping up their investigation of the Amityville Horror in Long Island, Lorraine has a vision about her husband’s death. Feeling apprehensive, Lorraine wants to avoid getting involved with any future exorcisms. However, when the Hodgson family in London encounter an old man poltergeist, the Roman Catholic Church recruit the reluctant Warren family to investigate.

Due to their father’s departure, the Hodgson family recently moved into this London flat. Daughter Janet (Madison Wolfe) is taking it the hardest. She sleepwalks, is frequently ill and has nightmares. At first, Mother Hodgson (Frances O’Connor) dismisses Janet’s problems, until she witnesses paranormal activity in her other children.

Director James Wan knows how to tell a story. With a minuscule budget, Wan helped create the Saw and Insidious series of movies, terror tales that feature a dose of human compassion. Including The Conjuring series, Wan’s movies rely on tried and true suspense techniques. Each film builds to successful payoff, one that does not rely on blood explosions induced by computerized special effects.

With a confident hand, Wan directs a scene with Patrick Wilson that could have become maudlin. Learning that the family used to enjoy listening to Elvis Presley albums, the Warrens purchase the Blue Hawaii soundtrack. Given the poltergeist’s tampering with the electronics, Ed Warren picks up an acoustic guitar and entertains the family. Between the previous scares and future shocks, this musical scene creates an intimate moment between the family and the human audience.

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